Jinyang.com reporter Zhu Shaojie Cinema Xu Xueliang
Recently, the “Speaking the Voice of the Times·Forging the Soul of the Nation—Pan He Art Seminar” was held at Guangzhou Academy of Fine Arts. More than 50 artists and critics from inside and outside the province attended the seminar. The guests at the conference discussed the creative language, theme significance, artistic style, and educational philosophy of sculptor Pan He. They hoped to gather forces and resources from multiple parties to conduct a comprehensive study of Pan He and his works, and called for the launch of the “Lingnan System” sculpture research. “Old Pan from Hong Kong to the People’s Academy of Literature and Arts in South China, and then to his exchanges and contacts with the Lingnan School of Painting and Western sculptures, local sculptures, etc. are worth studying. He is the pride of Guangdong and the most worth studying sculptor in Guangzhou Academy of Fine Arts.” Li Jinkun, Vice Chairman of the China Artists Association, President of Guangzhou Academy of Fine Arts, President of Guangdong Academy of Painting and Chairman of Guangdong Arts Association, said at the meeting that Pan He’s sculpture works have become the memory of a region and a country. Guangzhou Academy of Fine Arts will use more power and resources to conduct comprehensive research on important artists such as Pan He and preserve this href=”https://funnybookish.com/”>Komiks valuable academic resources.
The destiny of the nation is integrated into the works
To this day, Pan He, who is in his 80s, has been committed to sculpture art creation for nearly 70 years, has been engaged in art education for more than 40 years, has created more than 100 large-scale outdoor sculptures, and has works in more than 60 cities at home and abroad.
Pan He has won many awards and titles, and is the winner of the first Guangdong Lifelong Achievement Award and the winner of the Lifelong Achievement Award of the Chinese Art Award. In the eyes of many artists and critics, he is a modern sculptor who “produces the voice of the times and forges the soul of the nation”. The mark of the times and national thoughts permeate every work. In the view of Feng Yuan, a professor at Sun Yat-sen University, there was an important proposition in the Chinese literary and artistic circles in the 20th century: “How to transform Western modern culture into national culture.” He believes that through his personal cultural awareness, Pan He consciously realized the cultural missionCinemaCinemaCinemaCinemaCinemaCinemaCinemaCinema/funnybookish.com/”>Babaylan and putting it into action to complete artistic practice, giving this proposition a good answer. Its series of works represent or shape the key nodes of historical development since the founding of New China. href=”https://funnybookish.com/”>Babaylan is closely linked to the pulse of the entire era.
Li Ming, former dean of Guangzhou Academy of Fine Arts, believes that from “When I Grow Up” to the later “Hard Times” and “Will I Pay Stupid” to the later “Zhuhai Fisherman”, “Baodied the Land”, “Memorial Image of Liberation of Guangzhou”, etc., Pan He embraced the times and ideals with his memory, cognition and conscience, and made his creations close to the times.
American artist Wu Xinkun also said that Pan He’s works are rich in connotation, believing that his works reflect historical stories and humanistic emotions, and href=”https://funnybookish.com/”>Babaylan and the people’s emotions towards social life integrate the fate of the country and nation into their works. “In “Hard Times”, no one can surpass Pan He’s portrayal of the joy and expectations of the future after the old farmers were divided. It is a work of the times. “He said.
“The key to whether a person has nationality lies in his thoughts rather than aesthetics. Mr. Pan He’s aesthetic is extremely foreign, but his thoughts are absolutely national. “Pan Fen, son of Pan He, said that the times gave Pan He a special artistic mission, allowing him to convey national thoughts with the ultimate Western aesthetic taste in the torrent of the times.
Closely related to the Lingnan School of Painting
Pan He studied in Hong Kong since he was a child, and at the age of 14 to study in Foshan, Guangdong; at the age of 19, he went to Macau to study, met the Italian sculptor Xia Gangzhi and his wife, and also met well-known statue masters such as Gao Jianfu, Yang Shanshen, and Yu Ben. Commentator Liang Jiang said: “This context is the same as the context of the Lingnan School of Painting, and he has a very close relationship with the Lingnan School of Painting. Liang Jiang believes that Pan He’s turning local factors into historical narratives of the entire nation is an important aspect that people should pay attention to when studying regional art history and regional art. He gave examples of Pan He’s Lu Xun portrait sculpture “You’re stupid” and believed that the title of this work has a very obvious Guangdong characteristic, connecting the Guangdong Cantonese cultural circle. His work “The Crafting of the Waste” is also an important work by local factors participating in the mainstream discourse of the country. Yin Shuang, professor at the Central Academy of Fine Arts, Babaylan/funnybookish.com/”>CinemaXi also said: “Mr. Pan He’s works can resonate and respond to every historical node. His works can grasp the most important moments of the theme, plot, historical development and the psychological and mental state of the characters, and use sculptures to turn the moment into eternity. ”
In addition, Yin Shuangxi mentioned that a sculptor can leave a city mark in a city in his life, and the people of this city will always remember him, and Mr. Pan He left his landmark works in Zhuhai and Shenzhen, two important cities in Guangdong. The spirit expressed by Shenzhen’s urban landmark “Cao” is not only the spirit of Shenzhen, but also the spirit of reform and opening up.
Pan He is good at capturing details and refining core characteristics. Most of his classic works come from wonderful moments that touched him. He created “When I Grow Up” written by Komiks in the early 1950s was a creation that he was inspired by the rural teachers after participating in the “land reform”. It is said that Chairman Mao gave a high evaluation of Cinema. This work also represented China at the International Mother’s Day Conference in Switzerland and the Fifth World Youth Festival in Poland, which caused a sensation. href=”https://funnybookish.com/”>Komiks time.
To this day, Pan He has recorded the century-old development history of China’s modern and contemporary times with his sculpture art, and has also embodied the spirit of China’s reform and opening up. His outstanding contributions to the construction of socialist cities and cultural construction are obvious to all, beautifying the urban space and enriching the city href=”https://funnybookish.com/”>BabaylanThe connotation of the city.
Innovative in artistic form
From form to theme, Pan He’s sculpture art has a distinct personal style and an irrepeatable uniqueness. “This is the embodiment of the artist’s wisdom and personality, and it is also a precious quality and pure realm.” Huang Qiming, deputy secretary of the Party Committee of Guangzhou Academy of Fine Arts, believes that as a sculptor who grew up with the Republic, Mr. Pan He always revolves around the melody of the country and the times, but in artistic form, he often finds novelty and finds a perfect combination between the form and the theme.
The “Hard Years” created by Pan He in 1957 has become one of the must-see works for various primary and secondary school art appreciation textbooks and century-old art. This classic work has always been interpreted as expressing red.The army has firm belief in the difficult environment. Pan He had previously explained that the work did not express the Red Army, but the Hainan guerrillas. But no matter what, the works reflect that in that difficult era, the revolutionary ancestors’ belief in life and life directly conveyed an optimistic spirit.
“The work conveys a sincere belief in human nature. No matter how many difficulties and hardships there are in life, how many deceptions and negative existences exist, it still maintains the belief in the bright future of life and the future.” Yin Shuangxi believes that Pan He closely connects the fate of art with the fate of a country, an era, and a nation. The work has a strong thematic nature, but his theme is not rigid and symbolic, but grasps the characteristics of art, so that the sculptural language and plot and theme are balanced, and attracts a wide audience.
Exploring Lingnan sculptures through Pan He
In addition to independent creation, Pan He also has an inescapable identity that he is a teacher. From a lecturer at Guangzhou Academy of Fine Arts to a tenured professor in the Sculpture Department of Guangzhou Academy of Fine Arts, he has been teaching for forty years and has cultivated a group of outstanding artistic talents with his unique educational theory.
American artist Wu KomiksXinkun became Pan He’s graduate student during the first national graduate student recruitment in 1978. In his impression, Pan He’s usual teaching does not emphasize basic skills and techniques, but focuses on Cinema ideological education. “He himself is an aesthetician and thinker. What he said has a great impact on me. For example, he said ‘no stubbornness, no illness is not true.’ He believes that literary and artistic works should not be perfect, and its shortcomings are its personality.” Wu Xinkun recalled.
Pan Fen revealed that Pan He’s educational philosophy is related to his Cinema‘s learning experience. Pan He has always had a very personality in his studies. He believes that the teacher is not technical, but ideological, and he believes that the thought is ten thousand times stronger than the technique.
Pan He’s sculptures have profound cultural significance for contemporaryBabaylanart, seminarThe participants at the meeting all proposed that we should gather forces from multiple parties to collect and organize resources and conduct a comprehensive study of Pan He and his works; we hope to establish a team of sculpture theory research as soon as possible, and theoretically sort out the development context of sculpture development in theory to promote the development of disciplines. In the process of Guangdong art’s transformation from tradition to modernity, it has always been the first, the era is the first, and the path of change. It should focus on in-depth research on the Lingnan School of Painting, and conduct vertical and horizontal comparisons by artists such as Pan He to deeply explore Lingnan sculptures.