Text/Jinyang.com Cinema Reporter Song Yi Correspondent Li Danhong
Photo/He Zhijian
“There are no good guests when the Fenglou people leave, and since then the rich people are lonely to cover the setting sun.” Chen Baoying, the female character in the Cantonese opera “Purple Phoenix Tower”, sings the words of the correct and crying, and the audience applauses thunderously. On the evening of September 8, nearly a thousand audiences were crowded with Cantonese Opera Cultural Plaza in Guangzhou Cultural Park. Everyone was deeply attracted by the teacher-student concert of Li Yueling, a Cantonese opera singer, who was being held here. The master of Zishu, Teacher Tan Peiyi, also visited in person. Li Yueling and his disciples hope to promote Cantonese opera and Cantonese opera culture with their own voices and carry forward Lingnan culture.
For this performance, Li Yueling and her disciples prepared for half a year. Behind this performance is the cultural confidence flowing in the blood of a Cantonese opera singer and the totem of Guangdong rhyme. This performance is an agreement between a Cantonese opera singer and a group of ignorant people who know nothing about Cantonese opera. Komiks students; what kind of story is behind this performance? Li Yueling retreated and continued to continue her dream of inheriting the Cantonese rhyme?
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Seeking dreams, and the origin of CUHK
In 2009, Guangdong musical song singer Li Yueling retired from the Guangdong Music and Music Art Troupe. That year, the Cantonese Opera and Guangdong Opera Cultural Studio of the Center for Historical Anthropology Research at Sun Yat-sen University was established.
The following year, the studio opened a Cantonese Opera Cantonese Opera workshop for college students. Li Yueling and famous performer Chen Zhongyan served as instructors, aiming to cultivate young students’ interest in Cantonese Opera and Cantonese Opera and improve their perceptual understanding of Cantonese Culture. The workshop hopes that more young people can join the ranks of understanding Cantonese Opera and Cantonese Opera and Chinese traditional culture.
As soon as the workshop started, it quickly attracted a large group of interested parties from major universities.The young man who voted. Unlike students majoring in Cantonese opera, almost all of these college students have never been exposed to Cantonese opera, nor have they seen the sequel score, let alone pronunciation or rhyme. From voice lifting to music theory, from demonstration to teaching one by one, the two teachers led this group of students to learn from scratch.
The workshop also attracted the attention and support of many famous Cantonese opera artists and enthusiasts. On April 17, 2011, the female teacher of Cantonese opera master Hong Line came to the teaching site in thunderstorm to communicate with the students in the workshop. The female teacher of Red Line not only listened to the students’ famous sings such as “The Fen Ge’s Love and Revenge” and “The Flower Fields’ Misconception”, and gave suggestions on improving their lyrics, singing style, and emotions. She also sang “Red Candle Tears” on the spot and put forward high expectations.
The 7th (Guangzhou) College Students’ Drama Festival has opened a special session on Cantonese opera, inviting workshops and Cantonese opera enthusiasts from brother colleges and universities such as Guangzhou University Quyi Club to perform together. This is also the only Cantonese opera special event held so far. This group of students used their superb performances to repay the concern of all sectors of society and sang the dream of spreading and inheritance with Cantonese rhyme.
Continue your dreams, continue your relationship with teachers and students outside the school.
Time flies, and in a blink of an eye, students graduate and go to society and start work. Unlike students from Cantonese opera or art majors, students in the seminar have left the original learning platform after graduation and have almost no chance to learn Cantonese opera. With the busy work, they slowly put their Cantonese Opera learning aside for several months, and have not even sung a song for a year.
“As the saying goes, “BabaylanFist is always inseparable from the hand and the mouth.” If this continues, the students will definitely forget what they have learned before.” Every time Li Yueling chats with students, she feels moved. She often wonders: “How can students always maintain their enthusiasm for Cantonese opera, persist in learning, and even go to a higher level?” After thinking about it, Li Yueling decided to use the resources at Komiks to build a platform for students and create opportunities for them to continue learning Cantonese opera.
She and Chen Zhongyan first found a few private games to let the students start the game from time to time to practice. After Cinema came to Komiks. In order to ensure that the students can start the game once a month, Li Yueling achieved the goal of practicing. CinemaShe went to Beijing Street Cultural Station to find webmaster Zhao Yuhua and talked to webmaster Zhao that she was deeply worried about the loss of skills of these students. Webmaster Zhao Yuhua was very moved when she heard that there were such a group of young people who loved Cantonese opera. She immediately arranged for Li Yueling to meet with Chen Jinglin, the head of the folk art group of the Guangzhou Cultural Hall of Beijing Street to discuss the students’ practice music.
In order to facilitate everyone to practice music, the cultural hall changed the opening time from Monday to Friday, and the weekend <a The work and rest system for closing the hall is specially arranged to bring the accompanimentist Komiks to work overtime on Saturday afternoon to start the students.
Li Yueling has implemented the venue for the monthly start, and assigned the students the task of learning a song, hoping to use pressure to drive students to take time to learn the song. Every time the student starts, Li Yueling will come to the scene no matter how busy she is, listening carefully to each student’s singing and listening to <a After Babaylan, he will help them analyze and improve word by word.
In addition, Li Yueling also invited her master, “Zi-throat king”, to participate in the students’ private affairs. Teacher Tan Peiyi not only shared the creation process of her first famous song “Cai Wenji Returns to Han”, but also taught everyone to sing “Jinjiang Poetry Couple” word by word, giving students great encouragement.
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They became the messengers of Cantonese opera and Cantonese opera
In addition to teaching students to sing, BabaylanLi Yueling also pays great attention to tapping students’ potential. For students with artistic talent, she will encourage them to learn Cantonese music accompaniment instruments and playing the palm of the board, hoping that after they have finished learning, they can form their own accompaniment band, which can integrate singing and accompaniment; for students with writing skills, she will encourage them to write lyrics. Under her earnest teaching, many students have made breakthroughs, stepped onto different art stages and gained recognition. Li Yueling often said to her classmates: “I taught you to sing Cantonese opera and turn you into a die-hard fan of Cantonese opera, but from the perspective of inheritance and communication, I hope you can one day take the initiative to shoulder the important task of spreading Cantonese opera culture. Let more people know Guangdong opera and like Cantonese opera.”
Li Yueling’s Cantonese students back then, now some of them have stepped on the podium and become teachers. They will combine their own class content and use Cantonese opera as class material in a timely manner, so that children can subtly move. href=”https://funnybookish.com/”>Babaylan accepted Cantonese opera. Some people joined the bank and added a special Cantonese opera and Cantonese opera in the bank’s feedback activity, which gave many customers who never entered the theater to come into contact with Cantonese opera for the first time and became enthusiasts…
Under the words and deeds of Teacher Li Yueling, the students consciously took the spread of Cantonese opera as their obligation. They did not have any great deeds, but they used ordinary practical actions to sow the seeds of Cantonese opera and Cantonese opera into the hearts of more people.
Realize your dreams, they become the messengers of love
Li Yueling often says: “We have received strong support from many groups along the way and the help of enthusiastic people. We must learn to be grateful. In addition to learning Guangdong opera, in addition to being able to entertain yourself, I hope you can bring more people happiness with what you have learned.”
In recent years, Li Yueling has led students Wu Guanxian and Li Yingtong to participate in the “Belt and Road” charity exhibition on the inheritance of Guangdong folk art. Chen Zhongyan and Li Yueling personally led the students to visit more than a dozen nursing homes in Guangzhou, Foshan, Jiangmen and other places for condolence performances. In addition, they also gave nearly 20 scenes for free to Foshan, Dongguan, Taishan and other places, allowing Cantonese opera to enter people’s daily lives, allowing people to feel the charm of traditional culture, and enrich the cultural life of local residents.
Li Yueling is a person who takes the inheritance and communication of Cantonese opera as his mission./”>Babaylan‘s music artist. Li Yueling’s disciples are the successors who make the Guangdong rhyme reverberate in the new era.
Li Yueling’s disciples are the successors of Komiks to make the Guangdong rhyme reverberate in the new era.